I first fell in love with Lauren Groff’s writing with her 2006 Atlantic short story “L. DeBard and Aliette.” It has stuck with me since I first read it in graduate school, yet for some reason I haven’t actually read any of her novels until The Vaster Wilds (Matrix has been on my to-read list for ages!)
The Vaster Wilds is quite a self-contained story, following a girl (simply known as “girl,” but by numerous other names throughout her life, such as Lamentations.) Through contextual clues, we find that the girl has fled the famine and disease-stricken Jamestown settlement after she has committed a crime. The girl’s strong-willed drive for survival is the spark the ignites her journey and keeps her fire burning through adversity in the wilderness.
Through starvation, disease, injuries, harsh weather, and much more, the girl’s ingenuity keeps her alive. Perhaps it is obvious to say, but the girl’s flight through the harsh wilderness is also very much a journey through her own mind and memories. She was purchased as a type of “pet” for her former mistress; a person forced to be an object or play thing. A person forced to journey across an ocean and care for a young child. A person forced to witness and endure terrible hardship. The harsh reality of the girl’s life in “civilization” was perhaps far more trying than anything the untamed wilderness hurls her way. For in civilization she was bound, yet in the wilderness she is free.
Lauren Groff’s writing style is unique, poetic, and beautiful. Perfect and poignant in her phrasing. I watched the movie Beau Is Afraid around the same time I was finishing this novel, and I can’t help but draw similarities in the abstract journeys both physical and emotional, both bizarre and beautiful.
Home 