In 1348 Italy, at the height of the Black Death, Ginevra is summoned out of exile to Florence to aid the city in ridding the pestilence. The local clergy believes the plague is caused by the disappearing holy relics from the city and turn to Ginevra who had previously been marked as having knowledge of the dark arts. In truth, Ginevra di Genoa studied under a type of cunning or wise woman who healed through stones and jewels. She taught Ginevra the history and unique healing powers of each stone, always encouraging Ginevra to never advertise their special abilities and skills for fear of being accused and tried for witchcraft. Years later, Ginevra is sent to a convent in Florence as a servant but also to become a pupil of one Sister Agnesa. While Agnesa also stresses the importance of discretion when employing the magic of the stones, Ginevra cannot help herself in aiding those in need when a new pestilence surfaces in Florence.
As an adult and adept stone-healer, Ginevra journeys back to Florence to uncover a mystery of the missing relics. Along the way, she befriends a cast of characters both amusing and comical. Despite the darkness of the situation, there is humor–much in line with Boccaccio’s Decameron, which Rasche has no doubt pulled inspiration from. The author’s blend of medieval pseudo-science, gem lore (she is a gemologist and jewelry historian!), and magic provide an engaging and fun lens through which to view the stones Ginevra uses to remedy certain ailments. At times, The Stone Witch of Florence reminded me of Leigh Bardugo’s The Familiar with its unique blend of historical fiction and fantasy/magic. That said, some of the dialogue and mannerisms seemed too modern at times. Overall, I still found TSWF to be an entertaining and creative story.
The Stone Witch of Florence will be released October 8, 2024
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